The Palace of Illusions by Chitra Banerjee Divakaruni-
A Modern Feminist Retelling of the Mahabharata
(Updated Dec 2025)
Have you ever wondered what the Mahabharata would look like through a woman's eyes?
The Palace of Illusions is the story of one of India’s oldest and most celebrated epic, the Mahabharata.
As someone who grew up reading multiple versions of this epic, I was captivated by this unique retelling through Draupadi's perspective - the woman who witnessed the great battle of Kurukshetra firsthand and was believed to be the catalyst for this historic conflict.
The book begins with a fascinating story of her birth and ends with her death. In between we are taken on a journey through her childhood, her marriage, her becoming the queen of the palace, the sad event of her humiliation at the hand of the Kauravas, her life after that in the forests for 12 years, the penultimate battle that changed history, and her life after the battle.
What's The Story About?
The Palace of Illusions takes us on an intimate journey through the life of Panchaali (also known as Draupadi), from her extraordinary birth from fire to her final moments.
We experience her childhood dreams, her complex marriage to five brothers, her rise as a queen, the devastating humiliation she faced at the hands of the Kauravas, her twelve years of forest exile, and finally, the great battle that changed the course of history.
The Palace of Illusions
My rating
Author
Chitra Banerjee Divakaruni
Publisher
Pan Macmillan Publishing
Genre
Indian Mythology
Number of Pages
360
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Why This Retelling is Special
What makes this book truly exceptional is how Chitra Banerjee Divakaruni answers questions I've had since childhood about the Mahabharata.
You know those moments when you're reading the epic and think, "But why didn't anyone speak up when Draupadi was being humiliated?" or "Why didn't Kunti take back her words about Panchaali marrying all five sons?"
This book tackles these questions head-on, offering perspectives I'd never considered before.
The author's writing style is simply magical.
She uses one-word chapter titles like "cosmology," "smoke," and "sari" that perfectly capture the essence of each section.
It's brilliant how she maintains suspense throughout the story - Panchaali often mentions seeing a character do something "only once more in the future," keeping you hooked and eager to discover these moments.
Also Read: 13 Indian Translated Books that are a Must-Read
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Understanding Draupadi's Importance
For those new to the Mahabharata, here's why Draupadi's story matters:
- She was born from fire with a prophecy—she would change the course of history.
- Married to five brothers (the Pandavas) due to a complicated situation, she became queen of the most magnificent palace ever built.
- Her public humiliation by the Kauravas (the rival cousins) became the tipping point that led to the greatest war in Indian mythology.
But in most versions, she's a plot device.
In this retelling, she's the narrator, the hero, and the witness.
Divakaruni asks:
- What did Draupadi think?
- What did she feel?
- What were her dreams beyond being a catalyst for war?
That's what makes this retelling revolutionary.
My Journey with the Mahabharata and This Retelling
Growing up, the Mahabharata was more than just a story in our household.
I remember my grandmother telling me tales of Draupadi's strength, but they were always side notes to the larger narrative of the brothers' conflict.
That's why finding this book felt like discovering a hidden room in a familiar house - suddenly, everything looked different from Draupadi's perspective.
What amazes me every time I revisit the Mahabharata are its intricacies, the complex relationships, each character's emotions, and most of all, the grand scale of events.
But this retelling adds layers I never considered before, especially through the eyes of a woman navigating this epic world of men.
Also Read : The Best Modern Ramayana Retellings
What I Loved Most
I have heard and read the story of the Mahabharata countless times since childhood.
As a young reader, I had a cherished book called "100 stories from the Mahabharata" that I must have read at least 100 times! I've explored various interpretations, including popular ones by Devdutt Pattanaik. But after reading Chitra Banerjee Divakaruni's account, I can honestly say I love it the best.
The greatest achievement of this book is how it manages to condense the massive Mahabharata (traditionally over 100,000 verses!) into a commercial novel-length story without losing any crucial elements.
Every character, every event, every emotion is preserved while making it accessible to modern readers.
Chitra Banerjee Divakaruni brings a fresh perspective to ancient themes that still resonate today:
- The complexities of power and gender politics
- The search for identity in a world of rigid roles
- The price of ambition and revenge
- The eternal question of destiny versus choice
Also Read : 20 Indian Books that you can read in one sitting.
The Feminist Lens That Changes Everything
What hit me hardest was how Divakaruni examines patriarchy through Draupadi's eyes. The constant questioning:
- Why must I marry five men when I love one?
- Why does my voice not matter in decisions about my own life?
- Why am I blamed for a war started by men's egos?
These aren't modern questions forced onto an ancient story, they're timeless questions women have always asked. The book doesn't preach feminism; it simply lets Draupadi speak her truth.

Top Quotes from The Palace of Illusions that stayed with me
The beauty of this book lies not just in its story but in how it's told. Here are some quotes that took my breath away
On Power and Destiny
"She who sows vengeance must reap its bloody fruit."
This quote haunted me because it perfectly captures how vengeance shaped Panchaali's journey - and ultimately, the fate of an entire kingdom.
"Aren't we all pawns in the hands of time, the greatest player of them all?"
When you think about it, this line sums up the entire epic - even the mightiest warriors couldn't escape their destiny.
On Love and Relationships
"Love comes like lightning, and disappears the same way. If you are lucky, it strikes you right. If not, you'll spend your life yearning for a man you can't have."
The complexity of Panchaali's feelings, especially about Karna, comes through so powerfully in these words.
"The heart itself is beyond control. That is its power, and its weakness."
This resonated deeply with me because it speaks to the eternal struggle between heart and duty that every character faces.
On Identity and Self-Discovery
"There was an unexpected freedom in finding out that one wasn't as important as one had always assumed!"
What makes this line particularly striking is how it shows Panchaali's growth from a proud princess to a woman who understands true power.
"Because ultimately only the witness -- and not the actors -- knows the truth."
This line gave me chills - it perfectly explains why Draupadi's perspective on the epic is so crucial.
On Women's Experience
"A woman's life is never easy. But it's up to her to learn to find joy even in difficult times."
Reading this, I was reminded of all the strong women in my own life who embody this wisdom.
"I am no victim, I am a queen."
This declaration shows the fierce spirit that made me fall in love with this version of Draupadi.

On Wisdom and Philosophy
"A situation in itself is neither happy nor unhappy. It's only your response to it that causes your sorrow."
Such a profound truth that feels relevant even today!
"Expectations are like hidden rocks in your path—all they do is trip you up."
In moments of disappointment, I often think back to this quote.
On War and Peace
"Victory comes at a terrible price - one that the victors must pay as well as the defeated."
This insight about war's true cost hits differently when seen through Draupadi's eyes.
Draupadi/Panchaali
"I am no victim, I am a queen."
When Panchaali says this during her humiliation in court, it shows her unbreakable spirit. I get goosebumps every time I read this line.
"Love comes like lightning, and disappears the same way. If you are lucky, it strikes you right. If not, you'll spend your life yearning for a man you can't have."
This reflection about Karna reveals her deepest regret and the complexity of her heart.
"There was an unexpected freedom in finding out that one wasn't as important as one had always assumed!"
A moment of profound self-realization that shows her growth from a proud princess to a wise woman.
Krishna
"A situation in itself is neither happy nor unhappy. It's only your response to it that causes your sorrow."
This typical Krishna wisdom reminds me of the Bhagavad Gita's teachings about detachment and acceptance.
"The heart wants what it wants. That's its dharma. But that doesn't mean you must follow."
I love how Krishna always balances divine wisdom with human understanding.

Karna
"Honor has its own rewards, and they're better than any kingdom."
This line captures Karna's tragic nobility perfectly - a quality that made Draupadi question her choices later.
"Some things are worth dying for. And some things are worth living for."
The complexity of Karna's character shines through in moments like this.
The Pandavas
Yudhishthira:
"Truth is not always kind, and kindness not always true."
Arjuna:
"Doubt is the greatest enemy of a warrior."
Bhima:
"Sometimes love shows itself in fury."
The Palace Itself (as a character)
"The Palace of Illusions watched, its walls echoing with secrets it would never tell."
I love how the author gives voice to the palace itself, making it a silent witness to history.
Kunti
"A mother's heart is not her own. It belongs to her children, even when they disappoint her."
This quote gives us a glimpse into the complex relationship between duty and maternal love.
Each character's words reveal something unique about their perspective while adding depth to Draupadi's story. What fascinates me is how differently each character views the same events - just like in real life!
Why These Words Matter
Each of these quotes showcases what makes this retelling special - it maintains the philosophical depth of the original while adding a deeply personal, feminine perspective. When I first read the scene where Panchaali reflects on being a pawn of time, it made me think about how often women in epics are portrayed as catalysts for events rather than active participants in their own stories.
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Frequently Asked Questions
Is The Palace of Illusions historically accurate?
It's a feminist retelling of the mythological Mahabharata epic, not a historical account. Divakaruni stays true to the main events while adding Draupadi's inner perspective and emotional journey.
Do I need to know the Mahabharata to enjoy this book?
No! This works perfectly as a standalone. Divakaruni explains everything you need to know. In fact, it's a great introduction to the epic.
Is this book suitable for beginners to Indian mythology?
Absolutely. The writing is accessible, contemporary, and easy to follow. It's one of the best entry points to Indian epics.
How is this different from other Mahabharata retellings?
This is told entirely from Draupadi's first-person perspective. Most versions focus on the Pandavas or Krishna. This centers the woman at the heart of the story.
Is there romance in the book?
Yes, but it's complex. Draupadi's relationships with her five husbands and her forbidden feelings for Karna are explored with emotional depth.
What age group is this appropriate for?Young adults and above (16+). There are mature themes including the disrobing scene, though it's handled tastefully.
Where can I buy this book in India?
Available on Amazon.in, Flipkart, and most bookstores. Also available as Kindle ebook and audiobook.
How long does it take to read?
Most readers finish it in 1-2 weeks. At 360 pages with engaging prose, you can also binge it over a weekend.
Final Thoughts: Why You Should Read This
If you've ever felt invisible in your own story, this book will resonate.
Draupadi refuses to be a footnote. She claims her narrative, her anger, her complexity. Divakaruni gives her that space beautifully.
While we must credit sage Vyasa for the original Mahabharata, this retelling proves ancient stories can speak to modern struggles. Draupadi's questions about agency, identity, and power feel urgent today.
Who should read this:-
- Fans of Madeline Miller (Circe, Song of Achilles)-
- Anyone curious about Indian mythology-
- Readers who love character-driven historical fiction-
- People seeking feminist perspectives on classics
Who might struggle:-
- Readers who prefer fast-paced plots (this is introspective)-
- Those uncomfortable with non-linear storytelling-
- People seeking 100% mythological accuracy
Start here if you want to understand why Indian epics still matter. Draupadi's voice will stay with you.
After all, isn't that why we turn to our ancient stories - to find wisdom that still speaks to us today?
You Might Also Enjoy
If you loved this feminist retelling, try these other magnificent Indian retellings:
- "Until the Lions" by Karthika Naïr - Poetic retelling focusing on women of the Mahabharata
- "The Forest of Enchantments" by Chitra Banerjee Divakaruni - Sita's perspective on the Ramayana
- "The Liberation of Sita" by Volga - Radical feminist take on the Ramayana
- "Yajnaseni" by Pratibha Ray - Another powerful Draupadi-centered retelling
**Want more Indian literature?**
Check out my guide to
18 Best Books by Indian Authors Below 200 Pages and
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for more recommendations.
What's your favorite retelling of an Indian epic? Let me know in the comments below!

Image and author bio from goodreads.
About the author - Chitra Banerjee Divakaruni
Chitra Banerjee Divakaruni is an award-winning author and poet.
Her themes include the Indian experience, contemporary America, women, immigration, history, myth, and the joys and challenges of living in a multicultural world. Her work is widely known, as she has been published in over 50 magazines, including the Atlantic Monthly and The New Yorker, and her writing has been included in over 50 anthologies. Her works have been translated into 29 languages, including Dutch, Hebrew, Hindi and Japanese.
Divakaruni also writes for children and young adults.
Her novels One Amazing Thing, Oleander Girl, Sister of My Heart and Palace of Illusions are currently in the process of being made into movies.


